AIGA DC Fellow Award
The Fellow Award is the highest honor a designer can receive from AIGA DC. The award recognizes designers who have made a significant contribution to raising the standards of excellence in practice and conduct within our local chapter and regional community. Design excellence is not the only consideration. We also consider contributions made through educating, mentoring, writing, and volunteering outside office hours as well.
While only one or two people receive the award per year, the AIGA DC board sees the Fellow Award as a celebration of design in the entire D.C. metro area. AIGA DC Fellows have built the design-rich culture we live in and contribute to ourselves every day. They are a reflection of the community — and our potential as individuals and as a chapter. The Fellows are an inspiring, dedicated group, and we encourage you to learn more about them below.
To learn more about this year’s Fellow Award criteria and process, click here.
2018 Fellow Award
The nomination period for 2018 has closed. We will be announcing a winner shortly and plan to celebrate with you in mid-January.
AIGA DC Fellow Award recipients by year
Rodney Williams and Tamera Lawrence
David J. Franek
Antonio Alcalá graduated from Yale University with a BA in history and from the Yale School of Art with an MFA in graphic design. Since opening Studio A in 1988, his studio has won awards of excellence in design from local, national and international design institutions including AIGA, Print, Communication Arts and Graphis. His clients include: the National Gallery of Art, National Portrait Gallery, Smithsonian American Art Museum, National Museum of Women in the Arts, The Hirshhorn Museum and Sculpture Garden, The Phillips Collection, The Textile Museum, and the Smithsonian Institution. Alcalá is an adjunct faculty member of MICA’s MFA graphic design program and is also responsible for the design of US postage stamps as an art director for the United States Postal Service. In 2011, Alcalá was nominated for two National Design Awards from the Cooper-Hewitt Museum. His work is represented in the AIGA Design Archives, the National Postal Museum, and the Library of Congress Permanent Collection of Graphic Design.
“On my journey to becoming a designer, many people gave me direction, guidance, and support. The best way to express my gratitude is to help others. An AIGA Fellows award is not a goal. It’s an acknowledgement that one has helped others, and that is deeply satisfying.”
Until December 31, 2015 when she sold her business to her wonderful partners, Judy Kirpich was the CEO of a successful design agency, Grafik. She oversaw a marketing and creative team of 35+ professionals and was responsible for guiding and developing large-scale integrated branding communication programs. Her clients included every Smithsonian museum on the Mall, numerous financial advisories, and many companies in the technology sector.
Kirpich has served as a guest lecturer at many universities and professional associations nationwide, and served as a judge for numerous design competitions. During this period she received her Fellow Award from AIGA DC as well as an Honorary Lifetime Membership in the Art Directors Club of Metropolitan Washington, the Presidents Award from the Women Presidents Organization, and served on the HOW Advisory Council and the Advisory Board of AIGA DC.
Under Kirpich’s direction her firm, Grafik, has received over 650 awards for marketing and communication excellence from AIGA, the NY Art Directors Club, the Art Directors Club of Metropolitan Washington, the American Association of Museums, and the Type Directors Club. The firm’s work has been published in HOW, Communication Arts, Print and Graphis and featured in over 65 books on design. And Kirpich is profiled in the book, International Women in Design.
Since 2015 she has a full time textile artist operating out of her studios in Washington DC and Lewes Delaware. Her work can be seen at judykirpich.com.
Of the AIGA DC community, Kirpich says,
“Operating as a professional has always been important to me, and AIGA was and is the gold standard for design community professionals. I believe it embodies the ethical and business standards we should all strive to meet. I was especially interested in issues of speculative work and making sure that our community supported each other and worked within healthy competitive boundaries. I think the AIGA helped designers understand that to be successful one had to understand not only creative issues but also business issues.
On being an AIGA DC Fellow,
“It still blows my mind that I get to be in this exclusive community that includes the like of Pat Taylor. Honestly, it is such an honor to be recognized for one’s achievements, and I so admire my fellow recipients. I long looked up to and competed with many of the Fellows and know what wonderful, ethical talented human beings they are. I just can’t still believe that I am old enough to be a Fellow…”
Charles Michael Helmken
Kessler has been a designer in the DC area since 1971. She has won over 200 design-related awards and her work has been acknowledged by Graphis, Communication Arts, Print, and other highly regarded design publications. In 2004, Kessler received the AIGA/DC Fellow Award for her achievements in design excellence and leadership in the DC area.
For over 20 years, Kessler has art directed stamps for the US Postal Service. Her first released stamp design was the Breast Cancer Semi-Postal Stamp that launched in 1998 and has raised over $85 million dollars for breast cancer research. Kessler has art directed over 250 additional stamps for the Postal Service including stamps for the Library of Congress, Louise Nevelson, Civil Rights, Alzheimer’s, the Nature of America and Lunar New Year both 12 year series, the Scenic American Landscapes, Civil Rights themed stamps, and famous Americans like Ella Fitzgerald to Love and Weddings. She is honored to be among the select few to have this amazing opportunity.
“I believe there is no way to know in the beginning how your career will develop. From day one you just put one foot in front of the other and do your best. You find ways to participate or contribute that you could never have imagined. And you start developing as a member of the Design Community. I am so grateful that my life in design in Washington has been acknowledged by my peers. To me, it’s the greatest award that can be bestowed! And I am grateful.”
Stephen J. Kraft was a calligrapher, designer and lecturer in the DC metro area. He’s known for his work for the Library of Congress, the National Gallery of Art and Arena Stage. Kraft also taught graphic design and typography at American University for more than 40 years and lectured at the Corcoran College of Art and Design, and with the Smithsonian Resident Associate Program. From 1966 to 1984, he was the managing designer of Smithsonian Institution Press and his calligraphy was featured on a St. Francis of Assisi stamp issued by the U.S. Postal Service in 1982.
In addition to receiving the AIGA Fellow Award, Kraft was also awarded the gold medal for design for his work on a guide to the Library of Congress’s Moldenhauer Archives from the Art Directors Club of Metropolitan Washington in 2001. Kraft served as an AIGA DC Chapter president. He passed away in 2011.
Tom Suzuki “transformed academic textbooks,” writes Steven Heller in a New York Times obituary for Suzuki, who died in 2005. Suzuki was AIGA DC’s first Fellow and set a high precedent. Together with his business partner Don Wright, Suzuki opened graphic design studio Suzuki and Wright in 1965. The studio was approached by a group of psychologists who wanted to start a magazine, which, under Suzuki and Wright’s creative direction, became Psychology Today. Not long after, Suzuki ran Psychology Today’s book division and this is where Heller’s praise finds its root.
After producing incredible work for Psychology Today, Suzuki became the art director for Time Life Books. From 1982 to 2004, he was the president and art director of a new studio that bore his name and continued to work with publications. Of his partner, Don Wright said, “Tom was so multifaceted — a great people person, an inspired teacher… He truly revolutionized the textbook industry.”
He also taught publication design at Stanford University and started one of the first user groups in the DC metro area. He served on the board of AIGA DC, the advisory board of Northern Virginia Community College, and was a lifelong member of the Art Directors Club of Metropolitan Washington.
Read more about Suzuki’s incredible contributions in this obituary by Steven Heller here
[pay wall: The New York Times